4,130 Royalty-Free Audio Tracks for "Fretted Synth"

Synthesised in fl studio 11 by playing an extremely loud square wave, with modulated reverb and a compressor.

Synthesised in fl studio 11 by playing an extremely loud square wave, with modulated reverb and a compressor.

It's a part of a pack of sounds i created for a small game projects. Created using zynaddsubfx inside lmms. Edited with audacity.

The alien's power rifle is charging up. Ready for action!. Source - recorded a flash charging up with a tascam im2. Edited in pro tools 10.

You can use this as a intro for youre track , with a distorted vague sound coming up with volume.

Short multi-saw pannned to the left, could be useful for acid or trance. Part of a pack of samples synthesized in the generic drumsynth application.

A sound i constructed while fooling around the predator synth inside of fl studio. Enjoy!. If you do decide to use this in any of your productions, don't forget where you got it from. :). Thanks in advance.

From a minimoog.

From a minimoog.

Electric static sweetener, synth experiment, sound effect for you to use.

Electric bass,synthesizer with filter.

Moog sub 37 in duo mode with big emt 250 reverb on it.

An '80s style electro bass line. Sound is a vermona lancet mono synth recorded into ableton live.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Strange modular bass loop. The file is loopable. Main modules is intellijel μvcf, uoki-toki polivoks vcf, synthrotek dirt and dinsync modseq. Thanks for dropping by.

Another room acoustic ambiance recording. Connected my little modular to a guitar amp (orange crush 12l). Some overdrive added character to the sound and the simple patch. Placed my phone 2,5meters from the speaker and recorded. No post editing! not even amplification.

Synth experiment that kinda resembles a helicopter.

Opening files with the wrong program makes distorted noise.

Falling effect frequently used in electro house genre.

This is a synthetic and atmospheric soundscape with acid techno sounding cavernous droplets in the background.

Computer generated effect.

I wrote a short piece for piano and then while messing in fl studio dx10 i increased attack decay and release parameters and it came out like this.

Amplified stereo recording of a note (la) in fl studio sim synth.

Uh. . . Well. . . I think you'll might get a poor inspiration from this one i guess. It's free for any own use though. All sounds are custom made (and trust me, by a very lazy sound designer).

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

Synthesized scraping and howling sounds.

Mally and sculder met the reaktor at the point of some return. . . So its something lie sciefi sequence. The snipplet is one minute and 23 seconds long. Made with reaktor ensemble ahrendees. After that i sampled it a little in soundforge. Have fun with it!greetings from berlin city!_rob.

A fat synth-line for a electro or house track. Sidechain it for maximum effects ;).

Warning: harsh noise with resonant malefactors. Bad q ! bad q!. Noise sound through analog phase shifter and steiner parker filter through a holtech-based delay. I imagine this as a soundtrack to an ultraviolent horror movie scene.

High resonance square + sine wave bass with a abruptly weird end.

Very weird and extraneous synth sound, basically a square wave with distortion and a high pass filter, have some lfos that modify different parameters such as amplitude, cutoff and resonance.

The same sequence as rancidarp, with more effects like chorus and delay.

Very short square playing a very rancid and simple sequence.

Pulse-wave with a chorus effect, the same as rancidpulse, more processed.

Processed sequence of noise. With panning, amplitude, filter and gate modulation.

Virtual analog synth mixed with analog ea-1 to create this wind like pad. Sampled through a behringer mixer into an mpc 1000. It sounds nothing like a wind section, hence the title broken wind. 44. 1k, 16-bit.

This was made with kontact and a korg ea-1, mixed with a behringer mixer with light dirt and overdrive. Sampled into an mpc. Left and right are separate channels processed differently. So each sample is actually 2 different sample, 3 if you combine them. 44. 1k, 16-bit.

Dave smith's mopho analog synthesizer's triangle wave sampled with an mpc through a behringer mixer. 44. 1k 16-bit.

The sequence is not stable. I'm not touching the synth. Te electronics are making variations. Not what i thought but interesting. Sequencing in my usual way with a vclfo. My plan was to upload a short loop, but the variations was so interesting. . . .

Infinitely evolving drone made with ableton and a combination of freeware synths. Sounds a bit like throat singing. Pitch changes are synced to 20bpm. No audio processing has been done other than cross fading.

Straight out of my modular. Can you find use for this? suggestions. . .

A loud and monstrous distorted synth lead that screams for some filter love! created in cubase using novation's v-station processed thru various effects. Enjoy!.

Just had to make another stereo patch. Feels nice to be back in stereo. Need more patch cables. . .

. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.